African American Literature

Tuesday, November 14, 2006

The Color Purple

In my absence, I spent much time reviewing my notes and thoughts on the reading for class yesterday, and came up with a few things I would like to share with the class. Hopefully, someone will respond, and we can flesh this out a little bit, but if not, I will bring this to class tomorrow for further discussion if time allows for it.
To begin, I had read the novel once before, but I revisited it, and my notes on it, with a new lens. I read it as a young woman right out of high school, and had not much care at that time for the dialectical element, the symbolism in the writing, or some of the not-so-apparent themes. As I revisited the writing, I found myself drawn to the way in which the dialect makes the expression of Celie more valid for me, and how it communicates emotion much more fully than if it had been written in standard English. I was confirmed in this when I read the supporting article about Willie Jordan: "Our process of translation exploded with hilarity and even hysterical, shocked laughter: The Black writer, Alice Walker, knew what she was doing!" (159). The students had found out, after their initial, uninspired reading that the dialect was necessary, or the story would immediately seem inauthentic. I thought it was particularly interesting that this professor noted the resistance from African American students to the dialect, and the acceptance of the white audience. How odd! Wouldn't you think that it would be exactly opposite? When you think more on it, however, as the article pointedly says, the students had never been allowed or encouraged to see their language in print, but rather only to write or read in Standard English.
One of the symbols in the novel that I hadn't really picked up on before this reading was that of the sewing. I had never thought about the fact that it symbloizes the African American woman's channeling of her creative energy into something productive, something tangible. This was a way to rebel against those who had hurt them, to focus their anger, hurt, and talent at sewing. It represented success to Celie, who turned the sewing into a business that would allow her to escape her station in life initially and support herself.
I don't know if anyone brought these things out in the discussion, but I would like to share this tomorrow in class. Please respond if you have the time.
Thanks!

Friday, October 06, 2006

Dr. Chandler's Post

I decided to re-post the blog Dr. Chandler sent us email about this week, because it was somewhat hard to find. So here it is:

Karen Chandler said...
I wish that we had had more time to discuss Brown, who I think complements some of the other writers we've looked at quite well. "Slim in Hell" is one of five Slim poems. Another that I didn't assign might be of interest, given our recent focus on preachers: "Slim Hears 'the Call,'" which satirizes the poor training and corruption of some black ministers (a problem Booker T. Washington, Brown's father, an influential minister, and other black leaders targeted). But "Slim in Hell" is interesting because it shows the ways Brown can bring together forms and influences and make them his own. The poem draws on the traditions of the American tall tale, as well as the English ballad. It also draws on black folk traditions--sermons and spirituals, and Greek mythology (Orpheus and Eurydice). Also informing the poem are an appropriate ironic voice that features overstatement (an inheritance from oral storytelling?). What do you think about Greer's expulsion from heaven because of his limited vision? Readers of Brown are sometimes bothered that he can be just as critical of African Americans as he is of white Americans, though for different reasons.

As for the Favor article, I wondered how helpful you found it. I wish we had had a chance to discuss how he discusses representations of women, and the ways they complicate or unseat assumptions about racial essentialism.

8:40 AM


Karen Chandler said...
I meant to mention that Johnson wrote the introduction to Brown's Southern Road, asserting at one point that Brown was among a group of emerging African-American writers who "In their approach to "race" . . . are less direct and obvious, less didactic and imploratory; and, too, they are less regardful of the approval or disapprobation of their white environment." What do you think?

8:43 AM

Thursday, September 14, 2006

Annotated Bibliography

Kristie Hofelich
Annotated Bibliography: Literacy
Due: September 13, 2006
English 660, Dr. Chandler

Included in the introduction of the recent article we read from Elizabeth McHenry was a comment on African-American writing that has been very beneficial to my study for this bibliography: “stories of the early 19th century black literacy are presented as the rare cases of a few individuals, the extent of whose literacy was the basic utility to read and write. And one need only look as far into the past as the 1992 New York Times headline, ‘Publishers agree that black people don’t read,’ to see that black readers have remained largely invisible even in our own country” (Callaloo 477). This comment helped to guide my research in that it affirmed what I had already suspected: the representation of the African-American literacy narrative and other writings is terribly lacking throughout the history of the United States, even in modern times, compared to those of other races and/or ethnic backgrounds. We seem to only skim the surface when searching for these accounts, when in reality, whole literary communities have existed among African Americans dating back to the pre-emancipation era. For this bibliography, I looked for texts that discussed this issue both historically, and in current times, and also texts that represented both male and female African Americans. (Note: these are presented in the order in which I discovered them, not by alphabetical order. I hope this is not a problem!)

1.) Bassard, Katherine Clay. “The Daughters' Arrival: The Earliest Black Women's Writing Community.” Callaloo, Vol. 19, No. 2, Emerging Women Writers: A Special Issue. (Spring, 1996), pp. 508-518.

This article discusses at length the fact that black women had a voice, even before slavery was abolished. She evidences this by speaking of those “firsts” that we often read in any study of African-American literature, such as Phyllis Wheatley, Harriet E. Wilson, and Ann Plato, but also brings in the discussion of literary communities among black women. Bassard says that these literary circles of women often began with correspondence, which was unreliable at best. In this correspondence, women often began by telling their own stories, in narrative form, of how they came to be literate and able to write letters at all. The article is interesting, but it left me wanting more evidence; I wanted to read something beyond Phyllis Wheatley’s short letters to her female friend.
2.) Braxton, Joanne M. Black Women Writing an Autobiography: A Tradition within a Tradition. Philadelphia: Temple University Press, 1989.

This is an illuminating, though dense, text in which Braxton takes examples of slave narratives, autobiographies, spiritual narratives, travel logs, and even adventure stories written by African American women and gives her thoughts on the historical significance of each. Writers such as Harriet Jacobs, Rebecca Cox Jackson, Harriet Tubman and Sojourner Truth are represented in the text, and many well-known writers have reviewed the book favorably as well (i.e. Maya Angelou). Braxton argues that the genre of African American slave and literacy narratives is too narrow to make the appropriate amount of room for writings such as the ones she has included; African American women have a very large offering of stories and autobiographies that describe their fights to become literate and free which should exist in a genre of their own entirely. I had no idea there was so much writing out there from this under-represented group of women, especially from as early as the early 19th century, which serves to confirm the assertion I have used in my introduction as a guide to this bibliography: this type of literature is often not defined as such, thus it gets lost under the larger umbrella of “slave narrative.”

3.) Sisco, Lisa. “Writing in the spaces left: Literacy as a process of becoming in the narratives of Frederick Douglass.” ATQ. Sep95: Vol. 9, Issue 3. P195, 37p.

Obviously, one of the most widely-read and well-known literacy narratives of a black, male slave is Frederick Douglass’ Narrative and later My Bondage and My Freedom. This piece of criticism examines the way he portrays himself in the narratives, and discusses the constraints under which he was writing, much like the article we recently read from Wilson Moses. The article goes into the aims of the narratives of Frederick Douglass, as propaganda for the anti-slavery movement, and later as a way for Douglass to build himself up as more of a literary writer with My Bondage and My Freedom. Sisco points out that the struggle for freedom was interwoven with the struggle for literacy, because slaves learned to see the two as needing each other; one did not necessarily exist without the other. This article supports my original purpose for this exercise well because it shows that Douglass’ accounts are well-known only because they were picked up by the abolitionists and distributed for a cause.

4.) Steinberg, Marc. “Inverting History in Octavia Butler's Postmodern Slave Narrative.” African American Review. Fall 2004: Vol. 38, Issue 3. P.467-476, 10p.

Steinberg chooses to look at Octavia Butler’s Kindred as following the slave narrative format, albeit a post-modern twist on the antebellum classic style, and spends ten pages talking about how she writes in a way that suggests heavily that things haven’t really changes much over the course of time. Butler illustrates this by writing her story in a way that could easily fall in the genre of fantasy; she adopts a sense of time that is cyclical, rather than linear, as Steinberg points out in the article. This deviates from my theme in a way; though Kindred explores the slaves’ fight for literacy, it is more a neo-slave narrative, not one that tells of the protagonist’s struggle to become literate. However, this piece falls under my research topic because it serves to further illustrate my point: African American literacy narratives and other similar writings are still under-represented in American culture today, just as they were in times when slavery was legal. Steinberg makes it the point of this article to reiterate Butler’s goal in writing Kindred: slavery still exists in the sense that African Americans are still dealing with issues of oppression in today’s time.

5.) Laird, Susan. “Recapitulating?” http://www.ed.uiuc.edu/EPS/PES-Yearbook/1998/laird.html.

Laird’s essay on the novel Push, which of course we read for this class, is quite illuminating as to the significance Sapphire’s story holds in modern culture. Although the essay is written in response to a book written by someone else entirely, the majority of it discusses the profound effect Push had on Laird, and others who have read it. For this reason, I though it beneficial to read and to include in this bibliography; Push represents a new way for the classic African American literacy narrative, which is rooted in slavery, to emerge in the modern era as a representation of the same struggle to learn to read, write and communicate effectively. Laird points out that the New York school system failed and ignored Precious, the main character, just as the institution of slavery kept people like Frederick Douglass down in the darkness of being illiterate for many years.

6.) Williams, Bronwyn T. “Heroes, rebels, and victims: Student identities in literacy narratives.” Journal of Adolescent & Adult Literacy. Dec 2003/Jan2004: Vol. 47, Issue 4. P.342-345, 4p.

This article served to make me aware, as a future teacher, of ways in which I can help the situation which I have described briefly in my introductory paragraph; I can help to encourage young people of color to realize the need to capture their own history and to portray their own literacy narratives to the world through writing. I was moved by this article in a major way because it showed me a possible solution to the problem which has guided my research. Williams writes about how he has seen the positive effect writing about the process of becoming literate can help children and adolescents to define themselves as people, to capture their own cultural backgrounds through the written and spoken word. For some students, even in today’s time, they may be the first one in their immediate family to learn to read and write, as sad as that sounds. Telling this story, sharing it with others, can only help to make a positive impact on communities throughout this country, and to spread awareness that the struggle still exists.

7.) Beyan, Phyllis Belt. The Emergence of African American Literacy Traditions: Family and Community Efforts in the Nineteenth Century. Westport, Conn. : Praeger, 2004.

I found this book to be an interesting portrayal of the African American literacy narrative and the acquisition of literacy in general because it places the focus on the community’s role for its people. In this context, it makes much more sense to me that the writings weren’t widely published and the group as a whole is extremely under-represented in the traditional literary canon. Because much of the acquisition of literacy and writing among African Americans took place within a close knit community of like people, and the opportunity to share the stories that arose from the experience were limited by the constraints of slavery and social inequality, it makes perfect sense that I, along with most suburban white folks, wouldn’t have heard much about the writings at all. The book goes further into the discussion of the community aspect to literacy acquisition by saying that certain literary traditions have historically been created within these groups of African Americans, and the traditions are important to African Americans as a whole race. The traditions of literacy help to define them as people, to give them an identity, which they can share with others of different and like races/ethnic backgrounds.

8.) Thompson, Gail L. What African American Parents Want Educators to Know. Westport, Conn.: Praegar. May 2003.

Near and dear to my heart is the issue of educating all students in an authentically, culturally responsive way and that is the very reason I chose to include this as my last reference. This book is based upon the schooling experiences of African American children in today’s time in learning to read, write and comprehend. The portrayal of African American children’s acquisition of literacy is most often negative as a result of the “achievement gap” that so often gets referenced. I believe the purpose for the text by Thompson was to get real answers from real African American parents about the goals they have for their children’s literacy and schooling, and to give real solutions to parents, teachers, and administrators for improving the methods for learning and language acquisition. Without this type of empirical study, the current literacy traditions among African Americans may not be carried on for decades to come, because awareness of the new (and old!) difficulties involved in the acquisition of literacy may dissipate. This is why books like Thompson’s and even novels like Push are so beneficial to society as a whole.

Wednesday, September 13, 2006

The Fall of Frederick Douglass

We had such an interesting conversation Monday about how we didn't really want to know about Frederick Douglass' negative characteristics, or even his personal life when it came to women because we simply didn't want him to fall, in our eyes, of the pedastal we seem to have all put him on. Personally, this makes him more credible in my mind, because it makes him seem like more of a human being, rather than some mythic hero I can't really relate to in any concrete way. Any thoughts anyone? It just seems to me that Douglass is idealised and even idolized, but he was in fact just a man, who had the avenue to share his experiences with the masses, and whose work we still read today because he had this chance. There are many others we don't hear about as much, or at all, and they, too weren't perfect, just as we aren't. I am just curious to see if anyone else has a thought they'd like to share...

Thursday, August 24, 2006

End of PUSH


Did anyone else feel completely and utterly stunned that the end of the book left us all hanging by a limb with no answers? I really thought I would get a much more in depth account of the end of the story, so to speak, or at the very least an account of Precious' efforts to secure housing and employment. The ending was problmatic for me also because there were simply too many unresolved issues with the characters. It was as if Sapphire was setting us up for a sequel, but I haven't heard about one yet. I guess I feel cheated in a way, robbed of the ending; I feel as if I put so much emotion into reading the novel, I deserve some answers darn it! Such is life, right? I do, however, like that Sapphire included the stories from the main girls who wrote for the "class book." This was a way to shed some light on the trauma of the girls in Precious' class and to better understand that there are many different types of racism, abuse and neglect that span all races and cultures. The "book" brought all the girls in the class together; similarly, PUSH has brought us together as a class by forcing us into a shared compassion for Precious and others like her.

Wednesday, August 23, 2006

PUSH, a novel


"Ms. Rain the one who put the chalk in my hand, make me the Queen of the ABCs." (Sapphire 81). I don't know about the rest of you, but I have been profoundly affected by the reading of this novel. I was so shocked in the beginning that I literally felt my mouth drop; the language is so unbelievably awful that I honestly didn't know if I would be able to read further. I did, however, out of both necessity (as it is assigned reading) and also curiosity. I was fascinated with the story of Precious, and I could not put the book down once I began to become personally involved with her story. I found myself getting very angry at the injustices that she suffered, elated when she succeeded in some small task, and I was even moved to tears when her lonely birthday was described (p. 68). I guess I have started this blog for the class in hopes that we can begin to share our thoughts and feelings as a class beyond what we share in class. I have a feeling that our short time together each week is simply not going to be enough to satisfy our souls. Anyone's input will be greatly appreciated and respected.